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Showing posts with label Wood. Show all posts
Showing posts with label Wood. Show all posts

Sunday, May 11, 2014

POST # 62 - "THE MISFITS" by Wally Wood and Ralph Reese



GREETINGS, COMIC ART LOVER!

I AM

THE APOCOLYTE!




Today we will again enjoy the creative work of  Wallace "Wally" Wood.


In 1969 Wood published the first adventure of a bizarre group of characters he labeled 'The Misfits', 
in a self-published comic entitled HEROES, INC. #1. That original story was published in color, 
written by Wood, and drawn by him with help from one of his assistants Ralph Reese. 
That first color adventure is presented over at my other comics blog
APOCOLYTE'S WORLD OF COMICS, 
which can be seen by clicking here.

The story of The Misfits continues in HEROES, INC. #2, published in 1976, a black and white volume with color covers. Here then is their tale, written and drawn by the incredible Wally Wood, 
the tale of Mystra, Shag, and Glomb, also known as

"THE MISFITS!"

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Cover by Wally Wood




If you haven't seen it,
or even if you have, 
click on the link or the image below
to enjoy the origin story of Wally Wood's





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THE APOCOLYTE
will return with more great black and white artwork
for your viewing pleasure!









Wednesday, March 26, 2014

POST # 53 - "DOWN TO EARTH!" by Wally Wood (Original Artwork)



Hello again, art fans!
I am
THE APOCOLYTE!

One of the greatest comic book artists of all time,
Wallace 'Wally" Wood should be a name familiar to any who call themselves a fan of comics. I've written about him several times on multiple blog posts and multiple blogs, and if you want to see and read more about Wood, just enter his name in the search box in the upper left corner.

While Jack Kirby is generally regarded as the greatest comic book artist of all time, Wally Wood comes in at a very close second place in the minds of many. Any way you rank them, Wood was an amazingly talented individual. 

For an overwhelming majority of fans, Wood's work at EC Comics is considered to be the high point in a prestigious and decade spanning career, and his science fiction comics were among his most well loved works.

Today's post is another rare treat revealing a closer look at the original artwork of Wally Wood for a story entitled, "DOWN TO EARTH!". Originally published in EC's WEIRD SCIENCE #16 in 1952, it was written by Al Feldstein, and features typically lavish Wood detail as only he could provide. Though over sixty years old and yellowed from age, this story stills remains a masterpiece of comic art, and exhibits the masterful style of a one-of-a-kind creative genius.

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--In addition to the original black and white line art posted here, I also posted the story as originally shown in color over at
So, after you feast your eyes here, click the link (here) and enjoy the color version 
(beautifully colored by Marie Severin)!--

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"DOWN TO EARTH!"
(Artwork courtesy of Heritage Auctions)
-click image to enlarge-











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That story was a thing of beauty!
Be sure to click the link below and go to 
to enjoy and compare the excellent color version!




Sunday, April 17, 2011

POST # 40 - "THE WEREWOLF LEGEND" by Harry Harrison and Wally Wood (Original Artwork)




Today's feature is a story that was the collective creation of  Harry Harrison, Wallace Wood, and Gardner Fox.

THE WEREWOLF LEGEND originally appeared in what was a new title for EC Comics, THE VAULT OF HORROR. It's first issue (chronologically numbered #12) hit the news-stands as the April-May 1950 issue, simultaneously with another experimental first issue title, THE CRYPT OF TERROR (chronologically labelled #17), which would by it's fourth issue be renamed as the more familiar TALES FROM THE CRYPT. In another month a third horror title would be released, THE HAUNT OF FEAR, which provided EC with it's own trinity of terror that would catapult them to the forefront of the rising horror comics wave that was soon to sweep the nation, and ultimately would virtually cause the downfall of the entire industry.

What is today known as "pre-code horror" comics was basically still in it's infancy at this moment in time, and over the next six years (1950-55) the artwork and stories would evolve (or devolve, as the case may be) into some of the goriest, grisliest, and most violently graphic comics ever to see publication.

EC Comics was just testing the waters at this point, and had no idea how popular their horror comics would soon become, and by all respects, THE WEREWOLF LEGEND is fairly tame in comparison to the works that would soon follow.

I've already featured the amazing and legendary Wallace Wood here several times, so I will not be repeating myself in any great detail for this post. Let us rather look at Harry Harrison. Readers of science fiction may be familiar with his name, as he is currently a well respected writer whose many works include the novels The Stainless Steel Rat (and it's subsequent sequels), and Make Room! Make Room! (which eventually became more well known as the film Soylent Green). Not only a gifted creative writer, Harrison was better known in the late 40's and the 50's as a fairly talented artist. His work in retrospect tends to be overshadowed by contributions of his then-time collaborator Wood, who is now regarded as one of the greatest comic artists of all time. This is a shame, because Harrison is a talented artist in his own right.

In 1948 both artists met and formed a partnership, doing art for both Fox and Avon Comics before they found their way to the EC staff in 1949, and were both developing their skills even further, both seperately and as partners, when EC launched their popular 'New Trend' comics line in 1950. The pair (and Harrison in particular) are directly responsible for talking EC publisher William M. Gaines into producing it's science fiction comics, WEIRD SCIENCE and WEIRD FANTASY. 

Gardner Fox is another well-known name in the comic book industry, having been a writer since the 1930's. His prolific creative work is too great to mention here in depth, though he is perhaps best remembered at this time for being largely responsible for revamping the superhero genre for DC Comics in the 60's, being the creative force behind the Justice League Of America, The Flash, The Atom, and on and on. From 1947-50 Fox was the head writer for EC Comics, and that, my friends, brings us to today's story.

Imagine how you would feel if you suddenly found yourself  cursed with dreadful affliction that compelled you to prowl the moonlit countryside, hunting for prey, thirsting for warm blood? Would you be able to embrace the horror, would you succumb to the agonizing suffering, or would you futilely fight the growing persistant urges to massacre your victims night after moonlit night? What would you do when you stared into the mirror and found yourself face to face with...
THE WEREWOLF LEGEND


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Well, there you have it!
HOOOWWWLLL you ever manage to get to sleep tonight, I just don't know!

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For much more fascinating and firsthand knowledge of Harry Harrison,
you can find his personal website by clicking right here!


Tuesday, November 17, 2009

POST # 11 - "THE DOORWAY!" by Dan Adkins

Today's tale is from artist Dan Adkins, who got his start in comics as Wally Wood's apprentice, often collaborating with Wood himself, as well as with other young artists in the Wally Wood Studio. Some of his earliest comic stories were for Wood's Tower Comics line in 1965, and soon thereafter was doing solo artwork for Warren Magazines along side such established artists as Wood, Crandall, Torres, Orlando, and the rest of Warren's top-notch art staff.. Adkins showed himself to be an excellent student of Wood's, with a clean, attractive style very similar to his teacher. From Creepy # 11, 1966, please won't you step right through....
THE DOORWAY!

Sunday, November 8, 2009

POST # 6 - "THE CURSE" by Wally Wood




Greetings to you, comic art lover!

I am
THE
APOCOLYTE!

Today you are privileged to see one of the greatest examples of black and white sequential graphic storytelling ever published!




Short and sweet of it  --  Wally Wood is probably my # 1 favorite comic artist of all time. Even though he is famous for his regular four-color comics, Wood was undoubtably a master at using light and shadow to create his 3D like drawings. The heart and soul of his style is based on this manipulation of white and black spaces on the comic book page. That is why any work Wood did can generally stand on it's own, in black and white, sans color.

This story, done for VAMPIRELLA #9 in 1971, was specifically drawn for black and white reproduction. I have always loved this story, since the first time I read it. It is one of Wood's all-time best.
Here then is Wally Wood's  -  

THE CURSE!

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-click to enlarge-












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