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Showing posts with label John Severin. Show all posts
Showing posts with label John Severin. Show all posts

Thursday, May 8, 2014

POST # 60 - "THE LAST!" by John Severin


Hello, Comic Art Fan!


I am

THE APOCOLYTE!


Welcome to another day of



Today's ROBOT tale features artwork by the great John Severin.
Written by Roger Mckenzie, it was originally published in Warren's CREEPY # 87, 1977.
Entitled "THE LAST", it focuses on a sole survivor...wait, he's not alone. 
He has a ROBOT companion of sorts. You'll see.

It is interesting to see a western themed science fiction tale, 
and Severin excelled drawing westerns, so that makes it even more fun!

Here it is,

"THE LAST!"

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There is more ROBOT fun over at
Click and check it out!


I am
THE APOCOLYTE!
Tomorrow I will be presenting yet another marvelous entry of 
black and white artwork for my next installment of
















Saturday, March 13, 2010

POST # 34 - "CREEPS" by Wally Wood and John Severin


Here we have a fascinating exhibit of two legendary EC Comics artists with widely divergent styles coming together in a once-in-a-lifetime mixture  --   Wally Wood pencils and John Severin inks!

I have stated on previous posts how much I respect each of these talented artists. What is unusual here is that it is Severin inking Wood. Both artists have a strong stamp of individuality in their respective styles, and usually any story where they ink another artists pencils, it is their own style which ultimately shines through and stands out. Severin inks over Dick Ayers, looks like Severin...Severin over Trimpe looks like Severin. But, when the pencil artist is as strong as the inker, the result is an exciting blend. For instance, Wood inks on Bob Oskner was to me a joyous blending of styles. So was Wood inks over Gil Kane pencils. Both artists shined through and the individual talents unique to each formed a synergy that was the best of both worlds.

Is that the case here? You tell me.

In the end, the result is astonishing, and the art is excellent. While I love the strange hybrid art that these masters created here, the truth is that the marriage of styles was ultimately not in the best interest for either artist. Personally, I would loved to have seen more from this unlikely team.

This is classic CREEPY, from issue # 91, 1976. Written by Archie Goodwin, this story remains an intriguing study of a collaboration of giants.

CREEPS!

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*note - originally there was confusion as to the artwork attribution, namely the fact that Severin's name was listed before Wood's (see at bottom of page 1 below)by Warren, which led myself to falsely conclude originally that Severin had penciled and Wood had inked. A closer scrutiny of the artwork and eagle-eyed viewer comments(thank you Tamfos) have, after the fact, resolved the individual art attributions, and I have since updated my original post to reflect the same. Interesting back and forth in the comments section reflect this earlier original misrepresentation. Thank you!










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Alright, friends!
Do you like black and white horror comics?
Sure you do!
I have been busy as usual, and haven't had the time to tell you about
my good buddy Mykal Banta's  latest blog


which focuses on some of the
grisliest, goriest, and grittiest black and white  horror mags
ever produced, Myron Fass' EERIE Publications of the 70's!

If you haven't already done so, go drop on by,
and tell Mykal that The Apocolyte sent you!


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