- click images for full size splendor -

Translate

Showing posts with label controversy. Show all posts
Showing posts with label controversy. Show all posts

Friday, May 16, 2014

POST # 65 - "FEARS OF A GO-GO GIRL!" by Kirby/Colletta (original art)


Hello, Comics Fan!

I am 

THE APOCOLYTE!


I am pleased to bring you today's artwork!

It is an unpublished story from an unpublished black and white magazine that Jack Kirby was going to produce for DC Comics. In 1971,  Kirby got the greenlight from DC to produce a line of mature-themed black and white magazines, two of which saw print and two of which were never published. IN THE DAYS OF THE MOB, with stories about infamous gangsters like Ma Barker and Al Capone (which can be viewed in it's entirety here), and SPIRIT WORLD, with stories of supernatural mysteries, each managed to get one issue each published. In addition to these two B & W magazines, Kirby was working on two mature romance-themed books, TRUE DIVORCE CASES, about the other side of romance, and SOUL LOVE, an African-American romance comic. For whatever reasons, the publisher pulled the plug before these two romance mags could see print.

Today's story, "FEARS OF A GO-GO GIRL!" was one of the tales to be included in the first issue of SOUL LOVE.  It is a shame these books never got to be produced, since Kirby at this time was at the top of his form, and who knows what great work was never realized. Kirby's pencils were inked by Vince Colletta, and in the original artwork shown here (which was found online at the Heritage Auction website) you will see quite a bit of white out and re-work done, specifically for the female protagonist's face. Colletta is now infamous in comic book circles for often erasing and allegedly decimating Kirby's detailed pencil art, and whether you are a fan or a detractor, I leave those critical judgments for you, the viewer, to decide here.

I welcome your comments, opinions, and insights below. 


So, for better or worse,
Here is Jack Kirby's

"FEARS OF A GO-GO GIRL!"






_____________________________

-click on images to enlarge-













______________________



Here is the proposed cover to SOUL LOVE #1, ink wash artwork by Jack Kirby.


________________________________




What did you think of this story and artwork, friend?

Leave a comment below and let me know...


I'll be back soon with more great black and white artwork and stories!








Monday, January 24, 2011

POST # 37 - "THUN'DA" by FRANK FRAZETTA (plus alleged interview)



In Memoriam 
Frank Frazetta
(2/9/28 - 5/10/10)


This is my first opportunity to post a tribute to legendary Frank Frazetta, who passed from our midst over 8 months ago. His name is recognized the world over as one of greatest fantasy artists of the last generation, yet even to say that pays him a disservice. He was more than that, as his body of work stretches well beyond fantasy and science fiction. To comic book artists, he was the ultimate comic artist; to painters and cover illustrators his work has been regarded as the epitome of the genre for decades. He has done work ranging from comic strips (ghosting for Al Capp on Li'l Abner, Johnny Comet, etc.), to westerns, to funny animals, to horror and science fiction, to animated film design, movie and fantasy posters (if you owned at least one Frazetta poster in your life, raise your hand with me), and his name will be forever linked to Edgar Rice Burroughs and Robert E. Howard as the cover artist who brought new life to the pulp characters they created in 1912 (Tarzan) and 1932 (Conan) respectively. Modern enthusiasts will remember his invaluable contributions to the Warren magazine line in the 60's. To most of you, a history lesson isn't really needed. But, for those who know little about him, here today you will find much to enlighten you. Not in my words, but in Frank's own words.

There's much we can learn from the master of illustration. Some information here is taken from FRAZETTA #1, a black and white volume produced and published by Frazetta himself in 1969, as his fame and fortune were still rising. Included here is also a biography from 1975, written by Frank himself, telling us what he thought were important accomplishments in his life up to that point, telling us himself the things he thought were important for us to know about him.

Also here from The FRAZETTA Treasury (1975) is a rare interview with Frank and his wife Ellie Frazetta, who was also his business manager and contributed greatly to his success. Sadly, she passed away in 2009, a year before Frank.
________________________

(We interrupt  the original post for important information update)
*PLEASE NOTE!

[APOCOLYTIC ADDENDUM-
Information Update:

As readers Rick Tucker and Mr. Door Tree have pointed out to me, there is apparently
  major controversy 
surrounding the authenticity of the information contained in the volume
THE FRAZETTA TREASURY...
until today I had never heard of this. Since it was published and then purchased by myself I have always believed it was an authentic Frazetta volume, published with the full authority and under the supervision of Frazetta. Allegedly this may not be the case. As I mention in my comments below, it is still hard for me to accept, since it reads like a real interview and 99.9% seems verifiably accurate!
Still, I cannot ignore Rick Tuckers assertion, as well as Mr. Door Tree's comments on my other blog. I know that Mr. Door Tree has extensive knowledge in this area, and when he weighs in, I therefore have to consider it as accurate.
Thank you, Rick Tucker and Mr. Door Tree.
The rest of you can read it and comment below with your opinion or any information that may shed more light on this controversy.
Thank you all.

- THE APOCOLYTE Speaks]

* see also update at end of post...
Thank You!

(now back to the original post as originally posted)
________________________________
So much has been said before, so many books have been written about him, and other blogs paying tribute to the man are impossible to count. As an artist myself, one cannot help but be influenced by his genius.

So I'll keep it short and let the man speak to you himself, through his words and his artwork.

_______________________


(Thun'da was a creation of Frank Frazetta, published by Magazine Enterprises in 1952.
Here is his origin from Thun'da #1.)

THUN'DA!
(click images to enlarge)











_______________











______________________




_____________________



________________________


As I leave you for now, I want you to look at the 1st panel of Thun'da page 10 (last page) done in 1952, and now go back and look at the photo of Frank painting Conan facing the giant snake (photo taken in 1967).
Frazetta certainly knew how to create compelling and thoughtfully designed imagery, and where the giant snake looked fantastic in '52, he recycled and further refined the imagery 15 years later and it became the basis for Lancer paperbacks classic and stunning CONAN THE USURPER cover art.

 There is so much Frank Frazetta contributed to us that I will assuredly be sharing more of his genius with you in days and months to come. In the next day or two, on my other blog, I will be posting little known information about Frank Frazetta's first published oil painting * (click here), and trying to set GCD's record straight. Stay tuned!

SPECIAL REVISION and UPDATE!
* update and revision - When I made the above original post I was unaware of any controversy regarding the authenticity of THE FRAZETTA TREASURY volume and the contents published therein. Since that initial posting, the spurious nature of that volume has been brought to my attention, and therefore much of the information, such as the alleged interview and the inaccurate information regarding Frazetta's alleged first cover painting has been shown to be untrue. I leave the original post(s), complete with the original inaccuracies, to stand as they are, with this and other clarifying updates attached for all to see.
I apologize for any confusion  resulting from these posts. Due to the parties involved who took it upon themselves to publish inauthentic and unauthorized information,  I (like many others) was led astray and lied to by assuming the volume was authentic, and until recently I had no idea of the false nature of THE FRAZETTA TREASURY volume.
Again, my sincere apologies for any involuntary misrepresentation.





Sunday, March 7, 2010

POST # 33 - "IN THE DAYS OF THE MOB" by Jack Kirby and Vinnie Colletta



Sometimes it pays to have friends!

Regular readers of my blogs know I am not the most regular or punctual of bloggers...I never seem to find enough time to keep all seventeen of my blogs organized and on schedule. Yet.

That is why I am grateful to my fellow comic blogger LYSDEXICUSS, creator and author of TEN CENT DREAMS as well as his new personal art showcase HUNGRY COMIX.

Today's post comes courtesy of Lysdexicuss, and it is a stunning example of black and white stories by none other than the king himself, Jack Kirby, aided ably by inker Vince Colletta.

I have little need to explain who either artist is to you, my knowledgable readers. I don't need to share that Kirby was born on August 28th, 1917, that his real name is Jacob Kurtzberg, and that he grew up on Suffolk Street in Manhattan's Lower East Side. That he grew up reading classic adventure stories by H.G. Wells and Edgar Rice Burroughs, as well as pulp magazines, is probably common knowledge. Kirby had no formal art education in his youth, but he almost did. After enrolling in Pratt Institute and attending one day of class, young Jack came home to find his father had lost his job. No more Pratt Institute for him. The next day he was out selling newspapers to help support his family.

It was in this depression era that young Jack became part of a local boy's club, the Boy's Brotherhood Republic, or BBR for short (this may explain his fondness for drawing comics like the Boy Commandos, Boys Ranch, and the Boy Explorers later in his career). It was there that he began what is one of the most amazing careers any comic artist has ever experienced, as  from 1933 to 1935 he drew his first feature, Kurtzberg's Konceptions, printed as a mimeographed newsletter that sold for a penny apiece. In 1935 he started working for Max Fleischer Studios, doing work as an 'in-betweener' for animators (filling in poses in between the other artist's poses). In 1937 he drew his first daily comic strip, The Lone Rider, and soon after began working for the Eisner-Iger studios. 

In the early 1940's, Jack met future partner Joe Simon, whose collaboration would produce, among other things, their most famous creation, Captain America. Later, it was his collaboration with Stan Lee at Marvel Comics that would earn Kirby the nickname of  "The King", as his powerful and dynamic style set the tone for just about every comic book to come after that point, ushering in the revolution known as the Marvel Age Of Comics in the 60's.

Vince Colletta's name has become a polarizing force in recent days, and I don't desire to add any more fuel to that controversy, other than to say that I feel some of his best work, aside from the romance comics that he is heavily identified with, is when he was inking Kirby. Many fine artists worked as inkers for Kirby in the 60's, and in my mind Colletta was one of them, his work on The Mighty Thor remains a much beloved example to many fans. The story posted here is another wonderful example of his skills as an inker.
(for more of my thoughts on V.C., you can check out my comments on Jacque Nodell's SEQUENTIAL CRUSH, here.)

Aside from a short story intermission (written by Mark Evanier and Steve Sherman), all of these stories were written and edited by Kirby, and published in 1971 under DC Comics Hampshire Distribution banner (the only comic published that way). I now present to you, courtesy of Lysdexicuss, a beautiful example of Kirby's art in a rare black and white format. I hope you will enjoy...

IN THE DAYS OF THE MOB!












































___________________________

An extra bonus, here are two pages of gangster cartoons that also appeared in this issue, as drawn by the incomparable
Sergio Aragones.



___________________________