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Showing posts with label Joe Orlando. Show all posts
Showing posts with label Joe Orlando. Show all posts

Friday, May 9, 2014

POST # 61 - "THE TRIAL OF ADAM LINK!" by Joe Orlando



I am

THE APOCOLYTE!

We now continue with 



This is part 2 in the saga of Adam Link, ROBOT!
To see or refresh yourself on part 1, click here.

As with part 1, "THE TRIAL OF ADAM LINK" is skillfully drawn by Joe Orlando
with Otto Binder adapting his own story for CREEPY #4, 1965.



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Stay tuned for more to come 
in the continuing saga of Adam Link, ROBOT!


Joe Orlando originally drew Otto Binder's Adam Link adventures in 1955 for EC Comics, and over at 
I am presenting the first rendition of 
"THE TRIAL OF ADAM LINK", done 10 years earlier, in full color!
It is fascinating to compare the two different versions, both excellent! 
Just click above or click right here!











Monday, May 5, 2014

POST # 57 - "I, ROBOT - Memoirs Of Adam Link" by Joe Orlando



Greetings!

I am
THE APOCOLYTE!

All this week I am celebrating the phenomena of 
ROBOTS IN COMICS both here and at





Today we present the artwork of Joe Orlando, veteran Golden and Silver Age artist.
During the 1950's Orlando drew Otto Binder's ADAM LINK Robot character for EC COMICS,
and continued to draw him in the 1960's for WARREN PUBLISHING.

In "I, ROBOT, MEMOIRS OF ADAM LINK"
Orlando and Binder revisit the Robot comic stories they produced ten years earlier, 
this time in black and white.

Originally published in CREEPY #2, 1965, here is

"I, ROBOT - MEMOIRS OF ADAM LINK"

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Click HERE or on Joe's name below for more ADAM LINK, Robot!



I'll be back with more Robots
and great Black And White artwork!
Until next time, remember, 







Thursday, March 6, 2014

POST # 46 - "BURN!" and "THE STALKER!" by Gray Morrow



Let us appreciate some of the fine black and white artwork of Gray Morrow.
Morrow's first comic book artwork appeared in Marvel/Atlas Comics in the mid 1950's, where he produced several wonderfully done science fiction and western stories. His realistically rendered tales made him an excellent choice for depicting actual events  for GILBERTON, and THORPE & PORTER, where he drew several issues of comics like Classics Illustrated, World Illustrated, and The World Around Us, starting in late 1959. An accomplished painter as well, he produced many covers for comics, paperbacks and magazines throughout his career. When WARREN began publishing it's vaunted horror line in 1964, Morrow was a staunch contributor during their halcyon days.

In late 1959 Morrow produced artwork for a one-shot anomaly of sorts, a black and white horror magazine called EERIE TALES, published by Hastings Associates. It was edited by Golden-Age great Joe Simon, and appeared to contain content originally scheduled for a never published 2nd issue of another one-shot anomaly, the 4-color horror comic WEIRD MYSTERIES, published by Pastime Publications in early 1959 (not to be confused with the more well-known comic produced by Key Publications). Both issues feature painted cover art by George Tuska, and interior work by Angelo Torres, Paul Reinman, and others, so a connection is apparent.

EERIE TALES in retrospect can be viewed as a sort of bridge between the earlier EC Picto-Fiction black and white magazines and the later Warren horror editions, and is notable for artwork by Morrow, Angelo Torres, Al Williamson, Joe Orlando, and Paul Reinman, whose work appear in one or both of the other two publications. Sadly, EERIE TALES never appeared again for whatever reason, though it clearly lacked the cohesiveness of the later Warren periodicals. Most of the stories, including Morrow's, were written by former EC alumnus Carl Wessler, yet many seem to suffer from short page format, and may have played out better in longer versions.

Each of these two stories are "hosted" by The Morgue Keeper, and I, along with him, hope you enjoy the EERIE TALES of Gray Morrow, the first one presented being:

BURN!
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...And now for round two, we bring you:

THE STALKER!








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